Atomos Shogun Studio 2

HDR dual monitor, 8-channel HD or 2-channel 4K recorder

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Product Highlights

Basically, (2) Shogun 7’s in a single rack chassis
Dual 7” HDR screens with up to 3000 nits of eye-searing brightness
ProRes and AVID Codecs
3D LUT, False color, Vectorscope, RGB Parade, Waveform and more
Record 4 ISO per side in HD – 8x HD or 2x 4k simultaneous recording

Rentex No. RECATOMOSS | Mfr No. Atomos Shogun Studio 2

The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs. Both ProRes and DNx are robust, easy to edit, color accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.

Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

Shogun Studio 2 - Quick Start

Shogun Studio 2 - Spec Sheet

Physical Specifications
Dimensions (W x H x D mm)	447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears), 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)
Weight	5.0kg / 11lb
Rack height	3U
Mount points	Removable rack ears and desktop feet
Dual recorder	Dual Screen, Recorder and switcher
Environmental
Ambient operating temperature	Up to 40°C
Construction and Control
Body	Aluminium alloy chassis
Cooling	Actively controlled fans and Heat Sink
Tally light	On front
Multi-function button	Trigger dual record
Power
Continuous power	Dual PSU
DC in connector	Dual IEC C14
Display
Touchscreen	SuperAtom IPS panel (capacitive touch)
Size	Dual 7.2”
Resolution	Dual 1920 x 1200
PPI	327 per screen
Bit depth	10-Bit (8+2 FRC)
Backlight Type	Dynamic zoned back light 3″, Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cdm2 / nits)	1500 / 3000 Peak HDR brightness
Aspect ratio	16 : 9
Color Gamut	Rec.709
Calibration support	Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Gamma	Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut	Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display	.Cube Format Display Only
3D LUT Down Stream	Loop out
3DLUT 50/50	Yes
Monitoring Modes	Native / HLG / PQ / 3D LUT
HDR output Conversion	Log / HDR to HLG / PQ / Dolby Vision
Video Input
HDMI	1 x HDMI (2.0) 4k p60
SDI	Quad link 3G SDI, with 2 x 12G SDI Backwards compatible Auto detection per recorder channel
SDI RAW	Apples ProRes RAW up to 6k
RJ45 / Network	Service Only
Bit Depth	8/10-Bit Video / RAW up to 16-Bit
Video Chroma Subsampling	4:02:02
HDCP copy protection	No supported
Metadata
HDMI	RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI	File Name from Arri, RED
Video Output
HDMI	1 x HDMI (2.0) 4k p60
SDI loop out	1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out	2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling	422
Bit Depth	10-Bit Video
Web Streaming
USB UVC	Optional via Connect 4k
Video Signal Conversion
HDMI to SDI	Yes – Video and RAW
SDI to HDMI	Yes – Video and RAW
Audio In/Out
Audio Quality	24/48kHz
Audio Codec	PCM
HDMI	8ch 24-Bit, input dependent
SDI	12ch 24-Bit, input dependent
Analogue Audio in	2 x XLR Per recorder channel
Analogue Audio Out	2 x XLR Per recorder channel
Headphone out	3.5mm 2ch.
Timecode / Sync
Embedded	HDMI and SDI
Time of day	Yes, Time and Date
LTC	LTC via BNC in/out Record mode
Genlock	GenLock in/out Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)
6k	RAW Only up to 30p via SDI Only
4k DCI	23.98/24/25/29.9/30/50/59.94/60p
4k UHD	23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080	2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
FHD 1920 x 1080 Progressive	23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF	Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced	23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p	50/59.94/60p
Recording CODEC
CDNG	For SDI RAW inputs Only
Apple ProRes RAW	ProRes RAW, HQ
Apple ProRes	LT, 422, 422HQ
Avid DNxHD	DNxHD 220x,220,145,36
Avid DNxHR	LB, SQ, HQ, HQX.
Playback
Playlist	Yes, Create customer play lists from full or sub clips
Loop	Yes, with user customisable in / out markers
Apple ProRes Raw	Yes, recorded clips
Apple ProRes	Yes, with Linear PCM audio
Avid DNx	Yes, with Linear PCM audio
Recording functions
Pre-roll record	Yes (HD 8s, 4K 2s) – Not available in RAW
ISO Record	Up to 8 x up to 1080p 60 (3G SDI Level A ONLY) 4 Per recorder channel
Switched Program Record	Yes Up to 1080p 60
Multi Input / Switching
SDI A/B toggle	Yes, Up support up to 12G SDI per input
Dual Input display	Via Multi ISO input mode
Multiple SDI input	Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions	Auto or manual XML transition
Supported media
Master Caddy I	Not compatible
SSDmini	Yes, BUT ONLY with optional Grab handle
File Naming	Unit Name – Scene/Shot/Take, Arri & RED via SDI
File System	ExFAT
On screen tools
Waveform	Yes, 3 size / Position
RGB parade	Yes, 3 size / Position
Vector scope	Yes, 2 size / Position
1 x Zoom	Yes. 1:1 Pixel mapping for 4k
2 x Zoom	Yes
Focus peaking	Colour selected / threshold setting / colour / mono / edges only
False colour	Yes, with Scale
Zebra	Yes, Adjustable
Isolate color channel	Blue Only
Cine Frame Guides	2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides	9:16, 1:1, 191:1, 4:5
Safe areas	Action and Graphic
Grid markers	9 grid
Anamorphic desqueeze	1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip	Vertical Only
Onboard Signal Processing
Pulldown Removal	24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD	Loop out – 4K UHD to FHD
DCI Crop	Loop out – 17:9 to 16:9 Crop
Remote control
HDMI	Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
SDI	SDI trigger camera selectable
Serial 2.5mm Jack	LANC control and calibration via optional USB to serial cable
RJ45	Service Only
RS422	Yes, Qualified controllers only
External Device Control
Supported Applications
XML	Cut tag EDL and Multcam with transitions in FCPX XML
Apple ProRes RAW	Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs	All applications with support for Apple ProRes and Avid DNX in .MOV wrapper