Atomos Shogun 7

4K HDR Monitor/Record that can also record/switch 4x HD

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Product Highlights

7″ 4K HDR Monitor/Recorder with 3000 max (1500 normal) nit HDR Screen
Multi-Camera touchscreen switching – Record 4 ISO while switching 4 SDI inputs
ProRes, AVID, plus Raw image recording of supported cameras
3D Lut, False color, Vectorscope, RGB Parade waveform
2TB Approved media included

Rentex No. RECATOMOS7 | Mfr No. Shogun 7

Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool.

Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes. You can even shoot RAW at high frame rates up to HDp240**.

*Panasonic EVA1 **Sony FS Series and EVA1

Atomos Shogun 7 - Manual

Shogun 7 and Sony FX9: Behind the scenes on Cornershop’s latest music video

Physical Specifications
Dimensions (W x H x D mm)	214 x 127 x 45
Weight	709g / 25oz.
Mount points	1 x Anti rotation 1/4″-20 top and bottom
Environmental
Ambient operating temperature	Up to 40° C
Construction and Control
Body	Polycarbonate ABS Plastic
Cooling	Actively controlled fan and Heat Sink
Tally light	Rear and front
Multi-function button	Power / lock Screen
Power
Input voltage	6.2V to 16.8V
Operating power	10 – 33W
Compatible batteries	NPF L series
Built in battery	No
Battery Run time (Record)	5200mAh – up to 1.5hrs (monitor & record 4K 30p) / 7800mAh – up to 2.2hrs (monitor & record 4K 30p)
Continuous power	Dual battery slots
DC in connector	DC jack (5.5mm OD 2.1mm ID)
Dtap	Via optional D-Tap to DC cable
Display
Touchscreen	SuperAtom IPS panel (capacitive touch)
Size	7.2″
Resolution	1920 x 1200
PPI	327
Bit depth	10-bit (8+2 FRC)
Backlight Type	Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cdm2 / nits)	1500 / 3000 Peak HDR brightness
Aspect ratio	16:9 Image Display
Color Gamut	DCI-P3 (D65)
Calibration support	Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma	Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut	BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display	.Cube Format
3D LUT Down Stream	Loop out
3DLUT 50/50	Yes
Monitoring Modes	Native / HLG / PQ / 3D LUT
HDR output Conversion	No
Video Input
HDMI	1 x HDMI (2.0) 4k p60
SDI	Quad link 3G SDI with 2 x 12G SDI (backwards compatible), Auto detection
SDI RAW	Apple ProRes RAW up to 6k
Bit Depth	8/10Bit Video / RAW up to 12Bit
Video Chroma Subsampling	4:2:2
Metadata
HDMI	RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI	File Name from Arri, RED
Video Output
HDMI	1 x HDMI (2.0) 4k p60
SDI loop out	1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out	2 x 12G SDI Backwards compatible Auto detection, Level A and B selectable
Video Chroma Subsampling	422
Bit Depth	10Bit Video
Web Streaming
USB UVC	Optional via Connect 4k
Video Signal Conversion
HDMI to SDI	Yes – Video and RAW
SDI to HDMI	Yes – Video and RAW
Audio In/Out
Audio Quality	24/48kHz
Audio Codec	PCM
HDMI	8ch 24Bit, input dependent
SDI	12ch 24Bit, input dependent
Analogue Audio in	XLR via Optional Break out cable
Analogue Audio Out	XLR via Optional Break out cable
Headphone out	3.5mm 2ch.
Timecode / Sync
Embedded	HDMI and SDI
Time of day	Yes, Time and Date
LTC	LTC via BNC input in Record mode
Genlock	GenLock in Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)
6k	RAW Only up to 30p via SDI Only
4k DCI	23.98/24/25/29.9/30/50/59.94/60p
4k UHD	23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080	2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
FHD 1920 x 1080 Progressive	23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF	Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced	23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p	50/59.94/60p
Recording CODEC
CDNG	For SDI RAW inputs Only
Apple ProRes RAW	ProRes RAW, HQ
Apple ProRes	LT, 422, 422HQ
Avid DNxHD	DNxHD 220x,220,145,36
Avid DNxHR	LB, SQ, HQ, HQX.
Playback
Playlist	Yes, Create custom playlists from full or sub clips
Loop	Yes, with user customisable in / out markers
Apple ProRes Raw	Yes, recorded clips
Apple ProRes	Yes, with Linear PCM audio
Avid DNx	Yes, with Linear PCM audio
Recording functions
Pre-roll record	Yes (HD 8s, 4K 2s) – Not available in RAW
ISO Record	Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record	Yes Up to 1080p 60
Multi Input / Switching
SDI A/B toggle	Yes, Supports up to 12G SDI per input
Dual Input display	Via Multi ISO input mode
Multiple SDI input	Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions	Auto or manual XML transition
Supported media
Master Caddy I	Not compatible
SSDmini	Yes with optional SSDmini handle
CFast II	Supported cards via optional AtomX CFast Adapter
File Naming	Unit Name – Scene/Shot/Take, Arri & RED via SDI
File System	ExFAT
On screen tools
Waveform	Yes, 3 size / Position
RGB parade	Yes, 3 size / Position
Vector scope	Yes, 2 size / Position
1 x Zoom	Yes. 1:1 Pixel mapping for 4k
2 x Zoom	Yes
Focus peaking	Colour selected / threshold setting / colour/ Mono / edges only
False colour	Yes, with Scale
Zebra	Yes, Adjustable
Isolate color channel	Blue Only
Cine Frame Guides	2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides	9:16, 1:1, 191:1, 4:5
Safe areas	Action and Graphic
Grid markers	9 grid
Anamorphic desqueeze	1.25x, 1.33x, 1.5x,1.8x, 2x
Display Flip	Vertical Only
Onboard Signal Processing
Pulldown Removal	24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
4K UHD Downscale for HD	Loop out – 4K UHD to FHD
DCI Crop	Loop out – 17:9 to 16:9 Crop
Remote control
HDMI	Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
SDI	SDI trigger camera selectable
Serial 2.5mm Jack	LANC control and calibration viaoptional USB to serial cable
External Device Control
Supported Applications
XML	Cut tag EDL and Multicam with transitions in FCP XML
Apple ProRes RAW	Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
Video Codecs	All applications with support for Apple ProRes and Avid DNX in .MOV wrapper