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Rentex Product Showcase
December 2020
Production Equipment Edition
Panasonic AW-UE100K
4K and NDI Network Connected PTZ Camera
Panasonic AW-UE100K
This AW-UE100K is the latest 4K PTZ camera for 2020 from Panasonic. 12G-SDI, 3G-SDI, and HDMI output of 4K 60p video or simultaneous cropped/zoomed zones. IP video streaming options are built in with full bandwidth, minimal latency 4K NDI or NDI|HX on local networks and SRT and RTMP(S) for streaming out remotely. The wide angle 74.1° view is 23% wider than the previous AW-HE130 giving even more flexibility to capture the room. Electronic and optical image stabilization combine to give you the best shot on the long 24x optical zoom (36x iZoom in HD). A new, high precision Direct Drive motor for the rotating section improves operability, responsiveness and quietness during pan/tilt operations. Additional features for the AW-UE100K included FreeD output for AR/VR applications, auto tracking support and more.
Panasonic AW-UE150K
Professional 4K PTZ Camera
Panasonic AW-UE150K
The next-generation PTZ camera supports high-quality video production. Smooth and high-quality 4K 60p/50p*1, high-magnification zoom and a wide shooting angle expand the range of the PTZ camera’s applications. The camera is equipped with a variety of interfaces and supports simultaneous 4K/HD operation which allows for versatility in current and future production systems.
Panasonic AW-UE70
4K Professional PTZ Camera
Panasonic AW-UE70
Despite its compact size, the Panasonic AW-UE70 subrental PTZ camera kit is able to deliver 4K images with excellent zoom range and exceptional pan-tilt performance. This camera includes a variety of advanced features, like in-camera 4K recording or 4K streaming over IP. 4K images can be obtained in a variety of outputs including HDMI, USB and LAN. Besides its 4K capability, this camera performs extremely well in HD, also supporting 1080/50p format and 3G-SDI output.
Panasonic AW-HE130
PTZ HD Integrated Camera
Panasonic AW-HE130
The black AW-HE130 HD Integrated Camera from Panasonic is a high-definition, remotely controllable PTZ camera for indoor use. Three 1/2.86 MOS sensors allow this camera to deliver up to four channels of sharp, HD video output with a resolution of up to 1080/60p, in addition to 3G-SDI and HDMI. The AW-HE130 also supports POE+: with only one LAN cable you can power and control the camera and video output. The camera is equipped with 20x zoom, a maximum f/1.6 aperture, and an 1.4x digital extender that can increase the focal length. A built-in neutral density filter and DRS (Dynamic Range Stretch) work in conjunction with 12 color axes and 3 skin tone axes to give you even more control of your resulting images.
Panasonic AW-RP150
Remote Camera Controller for PTZ
Panasonic AW-RP150
The AW-RP150 is the newest remote camera controller to compliment Panasonic’s comprehensive professional PTZ camera lineup. It has the same great functionality as Panasonic’s existing controllers, but includes a new one-hand operation joystick (controlling PTZ or Focus) and a large touch-panel LCD screen for monitoring and menu setting. A seesaw lever mounted on the joystick manages pan and tilt operations for zoom and focus control and intuitive single-handed operation.
The built-in touch display allows for easy and quick operation of all essential camera functions.
Panasonic AK-UC4000GSJ
4K Studio Camera Kit
Panasonic AK-UC4000GSJ
The Panasonic AK-UC4000GSJ is a 4K studio camera with high video quality. Our recent optical low pass filter upgrade allows our cameras to maximize the resolution and sharpness when shooting in 4K, and the existing filter can be left in place to minimize any chance of moiré. It’s compatible with a 2/3 lens mount, as well as a recent modification to allow mounting of our Canon box lenses and contains a newly developed large 4.4K sensor.
Rentex offers two kits, one with and HD lens, and the other with a 4K lens:
• Panasonic AK-UC4000 4K Camera with 4K Lens Kit (Fujinon UA18x7.6BERD-S10 UHD Lens)
• Panasonic AK-UC4000 4K Camera with HD Lens Kit (Fujinon ZA17x7.6BERD-S10 or M6 HD Lens)
Note: Eye viewfinder is not included in the rental and must be requested
Sony HSC-300RF
HD Camera Kit
Sony HSC-300RF
The Sony HSC-300RF Broadcast Full Studio Configuration Camera is an HD camera with an optical fiber CCU input that supports cable runs up to 6,562 feet. Inputs/outputs include XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output/genlock input/return input, and XLR intercom. The HSC-300RF supports large lenses via Sony HDLA-1500, HDLA-1505, and HDLA-1507 large lens adapters, and it features built-in Neutral Density and Color Correction optical servo filters that can be remotely controlled using an RCP or MSU.
Fujinon UA24X7.8BERD
4K UHD Camera Lens
Fujinon UA24X7.8BERD
The 24x high zoom ratio covers an extensive focal length range from a 7.8mm wide-angle to a 187mm telephoto. Excellent and lightweight 1.98kg, achieving outstanding center-of-gravity.
Fujinon UA46X9.5BERD
Ultra-High Zoom 4K Lens for Studio Cameras
Fujinon UA46X9.5BERD
The Fujinon UA46x9.5 covers a focal length from 9.5mm to a high magnification of 437mm, making it the world’s widest angle lens in its class. It is a portable broadcast zoom lens that enables incredible video to be shot in a wide variety of scenes. Using state-of-the-art optical design technology, it suppresses color aberrations to the minimum. Also, it realizes vivid color reproduction and high contrast by improving the light transmittance. Rich tones are reproduced with High Dynamic Range (HDR).
Panasonic AG-CX350
4K Camcorder
Panasonic AG-CX350
The Panasonic AG-CX350 4K Camcorder features a 1″ MOS sensor recording in UHD resolution (3840 x 2160), in the MOV format using a variety of data rates including 400 Mb/s, as well as in HEVC at up to 200 Mb/s. The camcorder can also record HD in MOV, as well as HD/SD in AVCHD format for legacy productions. You can choose from eight different gamma settings including HLG, which provides an HDR output in the camera. It also features variable frame rate capability from 1 to 60 fps in UHD and 1 to 120 fps in HD. Recording is to dual SD card slots, which provides for simultaneous, relay, and background recording.
Panasonic AG-DVX200
4K Handheld Camcorder Kit
Panasonic AG-DVX200
Rental Kit Includes: Camcorder, Tripod, Battery/Charger, Case
Panasonic’s AG-DVX200 4K Handheld Camcorder with Four-Thirds Sensor and Integrated Zoom Lens brings professional features and familiar camcorder ergonomics to the Four Thirds sensor format. It features a single MOS sensor with 4K resolution that captures up to 12 stops of dynamic range with Panasonic’s V-Log L gamma curve. The camcorder supports DCI 4K production at 24 fps, UHD 4K at up to 60 fps, and HD at up to 120 fps, providing you with a camcorder that is at home in a variety of production environments.
Recording 4K to MP4 or MOV and offering AVCHD recording of 1920 x 1080 HD video, your footage can be easily integrated into most modern postproduction workflows. The integrated 13x Leica zoom lens features three lens rings that give you manual control over focus, zoom, and iris. The camera records to SD cards and requires U3 speed class cards to record 4K video. The camcorder features timecode in/out, a 3G-SDI output for HD video, and an HDMI connector that provides 4K output.
AJA Ki Pro Ultra Plus
4K & 2K UltraHD Recorder and Player
AJA Ki Pro Ultra Plus
Expanding on the Ki Pro Ultra, the AJA Ki Pro Ultra Plus allows for four channels of simultaneous recording in up to 1080p60/50, as well as single channel recording and playback of DCI 4K, Ultra HD 4K, 2K, and HD signals. Ki Pro Ultra Plus features four 3G-SDI inputs and one HDMI input, and the same number of outputs, and also supports optional fiber modules for extended distances.
Atomos Shogun Flame
7" 4K HDMI/12-SDI Recording Monitor
Atomos Shogun Flame
The Atomos Shogun Flame is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160), recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes and Avid DNxHR codecs. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The monitor features 10-bit FRC processing and AtomHDR display technology support a 10-stop brightness range, allowing you to more accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor offers built-in pre-sets to accurately translate popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remained unaltered.
In addition to HDR monitoring, the monitor also offers a High Bright mode for traditional Rec. 709 monitoring. This mode takes advantage of the full 1500 cd/m² brightness to allow for more confident monitoring in bright outdoor environments, even without a sun hood. In HDR mode, use of an included snap-on sun hood is required, as displaying a wider brightness range reduces the overall brightness of the monitor.
Video Devices PIX-E7
Video Recorder & 4K Monitor
Video Devices PIX-E7
The 7-inch PIX-E7 4K-compatible recording field monitor combines powerful recording capabilities (Apple ProRes & H.264), an impressive suite of precision monitoring and scopes, and build quality that is second to none, to give video professionals an essential all-in-one tool for their kit.
All rentals include the PIX-E7 as well as:
- PIX-LR Audio Interface – The PIX-LR is a screw-on accessory that provides PIX-E monitors with two XLR inputs and outputs, featuring Sound Devices-caliber mic preamps, hyper-accurate LED metering, and dedicated transport and gain controls.
- PIX-Base – The PIX-Base is a tabletop friendly mounting alternative for the PIX-E Series, with an easily adjustable arm, sturdy base with bubble level, and an interlocking design for connecting multiple bases side-by-side. It is made of durable, anodized aluminum and collapses flat for convenient storage and transport.
Sound Devices PIX 270i
Video Recorder
Sound Devices PIX 270i
The PIX 270i file-based video deck delivers the performance, quality, and reliability required for fast-paced studio, live sports, event, and mobile multi-camera production. It seamlessly replaces tape and disc based video decks and provides a cost-effect and compact alternative to complex video servers.
Shure PSM 900
In-Ear Personal Monitor System
Shure PSM 900
The PSM®900 Wireless Personal Monitor System from Shure offers an unprecedented combination of superb audio quality, robust RF performance, and category-leading features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button.
Precision front-end RF filtering significantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity.
Clear-Com FreeSpeak II – 1.9GHz
Wireless Intercom System
Clear-Com FreeSpeak II – 1.9GHz
This high performance wireless intercom system is designed for extensive communication in large-scale operations. Its ability to maintain a strong and continuous wireless connection across an expansive coverage area while providing crystal-clear digital audio makes FreeSpeak II the ideal wireless roaming solution for any situation.
Decimator Design 12G-CROSS
4K HDMI/SDI Cross Converter and Scaler with Sync
Decimator Design 12G-CROSS
An update to the smashing success of the MD-HX, the 12G-Cross adds 12G SDI and 4k HDMI capabilities, as well as a Sync/Genlock port to tie Decimators into the same timing synchronization as the switcher. As with the predecessor, you can input SDI and HDMI, and output to SDI (x4) and HDMI with access to a down/up/cross scaler (now with sync!) for an effective on-site toolbox.
Operational examples:
12G to HDMI (normal or scaled)
HDMI to 12G (normal or scaled)
SDI to 4x SDI (plus upscale or downscale)
HDMI to HDMI (upscale or downscale
HDMI to SDI with Synchronization – great for production switchers, multiple signals to big LED walls or PJ blends, etc.
Teradek Bolt 1000
Deluxe Kit Wireless Receiver Set
Teradek Bolt 1000
The Bolt 1000 Deluxe Kit has everything you need to get up and running with Bolt. It comes with a Bolt 1000 Transmitter and Receiver set, a Dual Battery Mount plate for the Receiver, that can all fit with the included SKB Utility Case. Please note: The Antenna Array is available to rent seperately. The Panel Array Antenna is your go-to solution for cutting through wireless interference in crowded environments.
AJA FS4 with 12G-SDI
4-Channel 2K/HD/SD or 1-Channel 4K/UHD Frame Synchronizer
AJA FS4 with 12G-SDI
The 4-Channel 2K/HD/SD or 1-Channel 4K/UltraHD Frame Synchronizer from AJA offers incredible versatility and connectivity in a sleek 1RU frame for 4K/UltraHD and 2K/HD/SD conversion needs. Offering a wide range of connection options for both video and audio, this frame synchronizer can do the work of four separate devices in 2K/HD/SD or combine all processors and channels together for maximum flexibility for 4K/UltraHD productivity.
In single channel mode, the synchronizer will upscale your HD or SD materials to 4K/UltraHD and back, with a huge array of audio channels over Fiber, 12G or 3G-SDI, AES, and MADI for an incredible 272 x 208 matrix of audio possibilities. Enhanced Single Channel mode allows simultaneous output at 4K/UHD and downscaled 2K/HD/SD.
In four channel mode, it provides multi-channel conversion with up to 4-channels of simultaneous processing for 2K/HD and SD signals. The processing allows vide frame delay, ROI (Region of Interest) scaling, color correction, proc amp controls, motion adaptive de-interlacing, and much more.
The Rentex AJA FS4 with 12G-SDI includes the HDBNC-2TX-12G and HDBNC-2RX-12G Coax BNC modules, pre-installed for working with single-cable 12G-SDI signal flows as well as HDMI 2.0b, Quad-cable 3G-SDI 4K, and all other modes.
17.3” Flanders Scientific CM171
Professional Video Monitor
17.3” Flanders Scientific CM171
The Flanders Scientific CM171 is a lightweight 17.3″ Multi-Format reference monitor with 3G/Dual-Link/HD/SD-SDI, Component, Composite, & DVI-I Inputs. This unit features full 12-bit video processing and a native 1920×1080 resolution 10-bit panel capable of reproducing over 1.073 billion colors on screen. The CM171 offers support for virtually any signal format from NTSC/PAL to HD and 2K, including advanced 12-bit, 4:4:4, and XYZ signal formats.
7″ Marshall Electronics M-LYNX-702
Dual 3G-SDI Rackmount Monitor
7″ Marshall Electronics M-LYNX-702
The Marshall Electronics M-LYNX-702 Dual 7″ 3G-SDI Rackmount Monitor features two 7″ LCD displays with 1024 x 600 resolution each housed in a single, 3RU rackmoutable non-tilting frame. It features 3G-SDI, HDMI, and analog connectivity for both HD and SD video sources. It is designed to be used in a multitude of production, surveillance, or industrial applications. Possible applications include fly-packs, control rooms, routing rooms, live switching, or anywhere else individual video feeds require their own dedicated monitor.
The LCD panels in the M-LYNX-702 have a 250 cd/m² brightness, a 700:1 contrast ratio, and a viewing angle of 150°°. With a 1024 x 600 resolution, they feature a native aspect ratio of 16:9.
Each display in the M-LYNX-702 features a 3G-SDI input with loop-out, an HDMI input, a component input with loop-out, a composite input with loop-out, and a stereo analog audio input. In addition, there is a headphone jack on the front panel below each display for local audio monitoring. Finally, a GPI port allows the display to be connected to tally systems as well as wired remote controls.
The M-LYNX-702 is designed for installation in standard 19″ racks, and has a rack height of 3RU. It includes a 12V power supply and can also be powered from 7 to 16 VDC sources via either 4-pin XLR or a 5.5mm barrel connector. A single power supply powers both LCD panels.
15.4″ Apple MacBook Pro w/Retina Display
Intel Core i9 8-Core (2.3GHz) 16GB
15.4″ Apple MacBook Pro w/Retina Display
This MacBook Pro is powered by a 9th Gen 2.3 GHz Intel Core i9 eight-core processor that features a burst speed of up to 4.8 GHz, while 16GB of 2400 MHz DDR4 RAM helps to ensure smooth multitasking and also allows the computer to quickly access frequently-used files and programs.
The 15.4″ Retina Display has a 2880 x 1800 resolution. It also supports the P3 color gamut which allows for more vibrant colors. This ensures true-to-life pictures with realistically vivid details, which are essential for graphic design, color grading, and editing. With True Tone technology, the white balance automatically adjusts to match the color temperature of the light around you for a more natural viewing experience.
Arri Softbank D2
Lighting Kit
Arri Softbank D2
Less is more–sometimes. The Arri Softbank D2 Three-Light Kit was designed with modern, light-sensitive digital media in mind, so you can accomplish even more than you might think with the 1250 total watts in this package. Two of Arri’s most popular Fresnel lights form the core of this complete lighting outfit: two of the very efficient 300W Plus Fresnels each use a 3.2″ (80 mm) low expansion, borosilicate Fresnel lens to produce a soft, even field of light. The 650W Fresnel features a 4.3″ (110 mm) lens with the same reflector, housing and power cord as the 300W Fresnel, producing (of course) more light. A Chimera 16 x 22″ softbox is included (perfect for interviews and soft light in tight spaces), as well as barndoors, filter frames, light stands, bulbs, a ceiling scissor clamp to hang a fixture from a drop ceiling, and a hard compact wheeled carrying case for storage and transport. This kit is equipped for 120V AC operation. It will also function with 220-240 AC Voltage, with the appropriate bulb and plug adapter, available separately.
KINO FLO Diva-Lite
LED 20 DMX
KINO FLO Diva-Lite
The Diva-Lite LED 20 DMX from KINO FLO combines a popular, time-tested form factor with the latest in LED technology. The light offers a high CRI of 95 and variable color temperature from 2700 to 6500K with magenta/green hue control to match the spectral curves on different cameras and other light sources on the set. Flicker-free, full range dimming without color shift is also offered. The 25 x 13 x 6″ Diva-Lite 20 offers manual onboard or DMX512 control of all of these functions. In fact, the fixture has a built-in Lumen Radio receiver for wireless DMX control. The Diva-Lite LED 20 DMX’s 100-240 VAC make it ready for worldwide use.
Ross Video Carbonite Black Solo 1 ME
Live Production Video Switcher
Ross Video Carbonite Black Solo 1 ME
The Ross Video Carbonite Black Solo 1 ME Live Production Video Switcher is an HD/SD video production switcher providing versatile switching in a highly portable format. Supporting multi-format video resolutions up to 1080p60, the Solo system incorporates nine inputs including six SDI and three HDMI, and six outputs including five SDI and one HDMI. The I/O frame and CB9 panel allow flexibility in the field, so you can locate the I/O and panel separately as needed.
Roland V-600UHD
4K HDR Multi-format Video Switcher
Roland V-600UHD
The Roland V-600UHD lets you transition to 4K workflows as demand and budgets allow. With Roland’s Ultra Scaler technology, scaling is provided on every input, so you can use Full HD and 4K sources simultaneously, and output at multiple resolutions. You can also leverage the high pixel density of 4K camera sources in Full HD workflows for problem-free, visually-impressive productions.